No. 4 (2020)

• Crossings (About)

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• Editorial Team

  1-2

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• Table of Contents

  3-4

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• Editor's Introduction Crossings, volume four

  5-8

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Articles

• The Temperature at which Partisanship Spreads: A Genre Analysis of American Partisan Political Documentaries

  Thomas Dickson

  9-26

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• Représentations du sujet féminin et de l’altérité dans La femme qui fuit (2015) d’Anaïs Barbeau-Lavalette

  Jessica Dmytryk-Mousseau

  27-38

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• “Shanda fur die Goyim:” Adapting The Merchant of Venice for Jewish and Non-Jewish Audiences

  Sophia Hershfield

  39-50

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• The “New Fallen Woman” in George Gissing’s The Odd Women

  Alora Hayward

  51-70

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• Dialektik des Dataismus; or, a Critical Examination of the “Dataist” Moment

  Luc Barter Moulaison

  71-82

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• The Tao Te Ching: Translation Theory and Semantic Variance

  Alina Moore

  83-94

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• The Reality of Data Mining: Sculpting Discourse, Knowledge, and the New Subject

  Quinn MacNeil

  95-104

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• Stories Made to Matter: Power, Public Memory, and the Visual Rhetoric of Treaty 1 Representations at Lower Fort Garry

  Georgia DeFehr

  105-120

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• A New Way to Teach Culture: Social Justice in the Language Classroom

  Davy Zacharias

  121-136

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• The Constructed Lifestyle Image: An Examination of Mass Media, Online Social Influencers, and the Commodification of the Self

  Katherine Cao

  137-150

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• Thomas Hardy’s Tess of the d’Urbervilles: Tragedy, Sacrifice and the Fallen Woman

  Sabrina Lynne Zacharias

  151-166

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• According to Whom am I Happy? Identity Formation and Transfeminist Care Ethics in Imogen Binnie’s Nevada

  Jase Falk

  167-184

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• The Knight of Infinity and the Angel of History: A Reading of Kierkegaard and Benjamin

  Jude Claude

  185-206

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• Contributors

  207-210

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